The best Yuriko Tashiro’s drama movies

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

A mother gets help from her late husband's three friends in order to get her daughter married to a well-settled man.

Tragicomic road movie set during the Edo period. It follows a samurai, his two servants – including spear-carrier Genpachi – and the various people they meet on their journey, including a policeman in pursuit of a thief, a young child and a woman who is to be sold into prostitution.

Junpei Kihara, a young president of the University's wrestling club, is nicknamed "Mr. Chop". One day, on the way back from visiting the hospital after being thrown by Nobuyoshi Shinohara during practice and injured, he met Asako, the sister of Arisawa's mother, Katsuko. When they entering a coffee shop run by Asako's best friend Hisako, Hisako misunderstood them as lovers...