The best Sara Antunes’s movies
Today we present the best Sara Antunes’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Sara Antunes’s movies.
Unremember
7.2/10
Teenager Joana feeds her soul with literature and rock. In 1979, when amnesty is granted in Brazil, she's forced to move with her family from Paris back to the country she barely remembers. Back in the city she was born in, and where her father was forcedly disappeared, she recovers pieces of memory from a fragmented childhood in Rio de Janeiro. Not everything is real, not everything is imagination. And as she remembers, Joana must write her own story in the present tense.
If God Comes Let Him Bring a Gun
6/10
A young man on leave from prison, his straitlaced brother, his best friend, a rookie cop and a young actress collide over the course of 72 hours.
Desterro
5.3/10
The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.
Cada Dia Uma Vida Inteira
5.5/10
Young couple is just about to get married when the to-be groom ia called to pick up his fiancée at a motel. Afterwards they go through a crisis even before getting married.
Tybalt Dead, Romeo in Exile
6/10
João is a 32-years-old musician that opts for the isolation of a farmhouse in the Brazilian countryside after Flora, his pregnant wife, breaks up with him. Three months pass and he’s finally ready to make amends with his wife and follow the birth of his son. But then João is surprised by the mysterious appearance of Max, his best friend, who’s been missing for years and was thought to be dead.
Clandestine Soul
8.2/10
"Clandestine Soul" is a sensory and emotional biography of the Brazilian political activist, Maria Auxiliadora Lara Barcellos.
De Dora, por Sara
“De Dora por Sara” shares excerpts from writings, letters from prison and letters from exile exchanged between guerrilla Maria Auxiliadora Lara Barcelos and Clélia Lara Barcelos, recreating what she called “Dora Dam”, a communication field between confinement and the possibility of utopia. This research combines “real” words in a poetic time, feeling both the processes that led her body to suicide and the other way around: it investigates a vibrating field for her to relive, in a kind of “incarnate” cartography, averse to giving up.
