The best Neville d'Almeida’s movies
Today we present the best Neville d'Almeida’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Neville d'Almeida’s movies.
Hunger for Love
6.1/10
An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive
Moon Over Parador
6/10
Little known actor, Jack Noah, is working on location in the dictatorship of Parador at the time the dictator dies. The dictator's right hand man, Roberto, makes Jack an offer he cannot refuse.. to play the dictator. Jack's acting skills fool the masses but not close friends and employees of the dictator.
Pitanga
6.9/10
This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. He career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. Pitanga deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.
Os Espetaculares
5.7/10
An egotistical stand-up comedian fights with a spectator and gets fired. To be able to pay his son's pension, he decides to participate in a comedy group contest. Now he will need to work harmoniously with the rest of the team.
The Red Light Bandit
7.3/10
Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.
Killed the Family and Went to the Movies
5.2/10
In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
Glauber Rocha - The Movie, Brazil's Labyrinth
7.5/10
Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.
The Angel Was Born
6.6/10
Santamaria and Urtigo are two bandits on the run, one is white, the other black. Santamaria is a mystical visionary and believes in the imminent coming of a purifying angel. Urtiga, his inseparable companion, is a simple-minded and ingenious man who follows Santamaria around and participates in the crimes he commits. The two bandits take over a house after kidnapping its owner and his girlfriend.
Garden of War
7.1/10
Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.
Noite
6.6/10
Night falls when, in an elegant neighborhood of Porto Alegre, a socialite is brutally murdered. The entire police department act immediately to identify and arrest the killer. A man in his 30s wanders down a large avenue. He wears fine clothes, he walks elegantly. His broken watch reads 18:47. The man searches his pockets for documents he cannot find. Neither he can recognize himself in the objects he carries: a wallet full of bills, a theater entrance ticket, a bloodstained handkerchief. Crossing pedestrians for whom that night will be like any other, he seeks to recover his memory and identity.
Milagrez
Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.
Areias Escaldantes
5.3/10
In the near future, in the country of Kali, a group of young terrorists carry out robberies, kidnappings and murders under the orders of a mysterious big boss known as "Entity" and are pursued by the pompous and inefficient Special Police.
Razor in the Flesh
4.9/10
Neusa Suely, a prostitute, is accused by her pimp Vado of stealing his money. To get rid of the accusations, she blames her neighbour, Veludo. The three characters then start to live a small tragedy set in the underground Rio de Janeiro scene.
A Marca do Terrir
6.5/10
Compilation of early Ivan Cardoso's films in Super 8, including "Nosferato no Brasil (Nosferato in Brazil)"
No Way, Spider
6.7/10
Spider, a banker, lives with three women. This tycoon is a caricature of Brazil's bourgeoisie, his trajectory is the starting point for an essay on the mental underdevelopment of Brazilian elites, in which black humor sets the tone for sharp criticism.
Ecos de Cannes
Candango: Memoirs from a Festival
7.8/10
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
Neville D'Almeida: Chronicler of Beauty and Chaos
7.5/10
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Mangue-Bangue
7.2/10
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
Redemption
A young woman travels to solve a matter of life or death. As she seeks to do what she needs, the city exposes itself with its curious characters.
