The best Maurício do Valle’s movies
Today we present the best Maurício do Valle’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Maurício do Valle’s movies.
Black God, White Devil
7.2/10
Cowherd Manoel and his wife are on the run in the drought-plagued and violent Brazilian badlands of 1940 after he kills a rich grazier. Moving credulously from one allegiance to another, they finally learn that the land belongs neither to God nor the Devil, but to the people.
Amazon Jail
3.8/10
Young women in the Amazon are kidnapped by a ring of devil-worshipers, who plan to sell them as sex slaves. Some of the women escape, but are pursued into the jungle by their captors. The women must band together to turn the tables on their kidnappers.
Gabriela
6.2/10
In 1925, Gabriela, a poor, uneducated, yet charming woman becomes cook, mistress, and then wife of Nacib, a bar owner in Ilhéus, a small Brazilian coastal town run by the local colonels.
Entranced Earth
7.3/10
Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
Antonio das Mortes
7/10
A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.
The Age of the Earth
6.5/10
Four Third-World Christs try to stop the American industrialist John Brahms in Glauber Rocha's experimental film inspired by Pier Paolo Pasolini's murder.
The Seven Kittens
5.7/10
Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their three elder daughters. The youngest one, virginal Silene, is unexpectedly sent back home. Noronha discovers she has been expelled from boarding school for having killed a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.
Quilombo
6.6/10
Quilombo dos Palmares was a real-life democratic society, created in Brazil in the 17th century. This incredibly elaborate (and surprisingly little-known) film traces the origins of Quilombo, which began as a community of freed slaves. The colony becomes a safe harbor for other outcasts of the world, including Indians and Jews. Ganga Zumba (Toni Tornado) becomes president of Quilombo, the first freely elected leader in the Western Hemisphere. Naturally, the ruling Portuguese want to subjugate Zumba and his followers, but the Quilombians are ready for their would-be oppressors. The end of this Brave New World is not pleasant, but the followers of Zumba and his ideals take to the hills, where they honor his memory to this day. Writer/director Carlos Diegues takes every available opportunity to compare the rise and fall of Quilombo with the state of affairs in modern-day Brazil.
Mulheres do Cais
Os Trapalhões e o Mágico de Oróz
5.8/10
Didi, Soró and Tatu in search food and water head for the town of Oróz. On their journey they find a Scarecrow, a man in a metal vat, and later are arrested by a Lion Sheriff.
Os Trapalhões no Reino da Fantasia
4.6/10
The Bunglers do a show for the benefit of an orphanage run by Sister Maria (Xuxa Meneghel), facing financial difficulties. While performing the show, 'money is stolen tickets. Didi, and Sister Maria Dede pursue the bandits, while Mussum Zechariah and continue with the show. The three go at Beto Carrero World, where the scene is recreated from the old Western North America. The film also features a series of 20-minute cartoon of Bunglers.
I Am Cuba, the Siberian Mammoth
7.2/10
Contemporary film critics regard the epic film I Am Cuba as a modern masterpiece. The 1964 Cuban/Soviet coproduction marked a watershed moment of cultural collaboration between two nations. Yet the film never found a mass audience, languishing for decades until its reintroduction as a "classic" in the 1990s. Vicente Ferraz explores the strange history of this cinematic tour de force, and the deeper meaning for those who participated in its creation.
Rio Babilônia
5.3/10
A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.
Golden Mouth
7.7/10
For his first in a long series of wildly imaginative literary adaptations, dos Santos reinvented Nelson Rodrigues' novel about a pathological gangster with solid gold teeth and a voracious appetite for women and power. Embracing radically modernist narrative techniques, Golden Mouth offers a splintered, refractive portrait of brutal masculinity that returns repeatedly to the same moment from different vantages, each time revealing unexpected perspectives on the brutal yet strangely charming criminal. Lurid and disturbing, Golden Mouth delivers a savage satire of marriage and class pretensions, revealing a similar venality at the corroded heart of the sanctimonious bourgeoisie, the moneyed elite and the working class as they all mercilessly claw their way up and down the rickety and ruthlessly hierarchical Brazilian social ladder. -Harvard Film Archive
Delirious Saturdays
6.7/10
From Friday night 'til Sunday morning, the doors of a new world open inside a nightclub in the South Zone of Rio de Janeiro. We watch the emotions and conflicts experienced by a series of characters, who find on the dance floor the ideal stage to represent the tragedy of their lives.
Profissão Mulher
5.1/10
The destiny of four women - a beautiful model, an alcoholic, a middle-aged spinster and a famous model - is traced inside an advertising agency. They all look for true love and professional recognition, but get involved in turbulent relationships instead.
Deadly Cruelty
7.3/10
Man leaves his family behind and moves to Nova Iguaçu, a poor and violent city in the outskirts of Rio de Janeiro. He tries to rebuild his life, but falls in love with a woman who despises him, which drives him mad.
The Hour and Turn of Augusto Matraga
7.7/10
Augusto Matraga is a violent agressive farmer who, after being betrayed by his wife and trapped by several enemies, is bitten up and left for dead, being rescued by a couple of humble small farmers who nurse him for a long time until he is well again. Influenced by the couple, Matraga starts a long penitent life while waiting for his hour and chance to payback, starting a fight between his violent nature, his hidden desire of vengeance and the mysticism and goodness which is also part of him.
Anchieta, José do Brasil
6.7/10
Life and death of the jesuit who fought for the peaceful relationship between colonists and the indigenous peoples of Brazil.
Natal da Portela
7.3/10
Biography of one of the legendary names in the Samba genre of Brazilian music. Although he could hardly dance or play an instrument, he became one of the main composers of Portela, an important Samba "school" in Rio de Janeiro.
