The best Liv Ullmann’s music movies
Liv Johanne Ullmann (born 16 December 1938) is a Norwegian actress and film director. Recognised as one of the greatest European actresses, Ullmann is known for her numerous acclaimed collaborations with filmmaker Ingmar Bergman.
Ullmann won a Golden Globe Award for Best Actress – Motion Picture Drama in 1972 for the film The Emigrants (1971), and has been nominated for another four. In 2000, she was nominated for the Palme d'Or for her second directorial feature film, Faithless. She has also received two BAFTA Award nominations, for her performances in Scenes from a Marriage (1973) and Face to Face (1976), and two Academy Award nominations, for The Emigrants and Face to Face.
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Saraband
7.5/10
The movie is a sequel to Bergman's Scenes from a Marriage (1973), where we revisit the characters of Johan and Marianne, then a married couple. After their divorce, Johan and Marianne haven't seen each other for 32 years. Marianne is still working, as a divorce lawyer. Johan is quite well off and has retired to a house in the Orsa finnmark district of Sweden. On a whim, Marianne decides to visit him. Johan's son from a previous marriage, Henrik, lives nearby in a cottage with his daughter Karin, a gifted cello player. The relationship between father and son is strained. Plot by Mattias Thuresson.
The Magic Flute
7.5/10
The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.
Night of 100 Stars
7.1/10
The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers payed up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.
First for-real cinething
