The best Kayoko Honoo’s movies
Today we present the best Kayoko Honoo’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Kayoko Honoo’s movies.
The Insect Woman
7.4/10
A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.
The Sun's Burial
6.9/10
In Osaka's slum, youths without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu and Takeshi, friends since boyhood, reluctantly join Shin's gang. Shin's an upstart and moves his gang often to avoid the local kingpin. Hanoko is a young woman with ambitions: first she's in the blood business with her father, then she joins forces with Shin. She soon breaks off that partnership, even though she's taken the sensitive Takeshi under her wing. Double crosses multiply. Those with the closest bonds become each others' murderers.
Killers on Parade
6.5/10
Mod-sixties visuals and black humor mark this wild New Wave masterpiece about a vengeful contractor who hires a series of young killers to target a woman muckraker. Trouble brews when an amateur marksman shows up his eclectic competition.
Youth in Fury
6.8/10
A reckless student contemplates terrorism in a prescient film that confirmed Shinoda as a fearless member of Shochiku’s iconoclastic New Wave. At the height of student protests, Shimojo (Shinichiro Mikami) takes his aggressions to another level, beset by seemingly insoluble feelings of alienation.
Volunteering for Villainy
7.4/10
Two outsiders start a relationship in a mining town.
Opium Plateau: Hell Squad, Charge!
Following “A Man's Face Shows His Personal History”, this movie is the second of the “Trilogy of the Wartime Generation”. It is a war drama set in China and depicts bottles over opium.
大吉ぼんのう鏡
