The best Jorge Dória’s movies
Today we present the best Jorge Dória’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jorge Dória’s movies.
Lady on the Bus
6/10
Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.
The Man of the Year
7.1/10
Jobless and insecure to the point where he can't even face himself in the mirror, a terrified Máiquel enters a salon to have his hair died platinum blond after losing a soccer bet to a friend. His new look supplying an unexpected jolt of confidence, Máiquel asks Cledir, the salon employee who died his hair, to join him at the bar in celebration. Taunted by local bully Suel upon arrival at the bar, Máiquel decides to settle the matter by purchasing a rifle and shooting down the loudmouthed Suel in the presence of Suel's young girlfriend. Unexpectedly hailed as a hero by his neighbors and the police, Suel's girlfriend subsequently approaches Máiquel and claims that since he killed Suel, it is now Máiquel's responsibility to care for her. Simultaneously learning that Cledir is pregnant and anticipating a marriage proposal, Máiquel's newfound reputation soon catches up to him as the dubious requests of influential locals begin to take their toll on him.
Stories Our Cinema Did (Not) Tell
7/10
Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's "pornochanchada" boom of the 1970s.
Assault on the Pay Train
7.8/10
Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.
É Simonal
7.7/10
A Dama do Cine Shanghai
6.4/10
Former athlete enters an old cinema in São Paulo's decadent city centre and meets an intriguing and mysterious woman, very much like the leading lady on the film. He gets involved with her and her problems and in no time is being accused of a crime.
Paraíba, Vida e Morte de um Bandido
6.6/10
True story of a famous and violent Brazilian outlaw nicknamed "Paraíba". After being shot, Paraíba tries to hide inside a church, where he starts remembering episodes of his criminal life.
Betrayal
7.2/10
This film shows three episodes: "The First Sin" portrays the relationship of a man and married woman; in "Devilish", the desire between a young woman and her brother-in-law is shown; and in the episode "Cachorro!", a man sees his wife with her lover.
Bonga, o Vagabundo
5.7/10
Eu Transo, Ela Transa
6.9/10
Anxious to please his boss, Roberto agrees to host the chief's lover in his own home, unaware of the problems this could cause among his family.
Maior Que o Ódio
7.4/10
Two friends grow together in the same neighborhood but, as adults, take different paths in life. One becomes an honest worker, and the other gets strayed. But the good guy's sister has an affair with her brother's friend, and is much abused by him. Her brother wants revenge. But when he sees him in danger, some time later, he must decide which is the stronger feeling: the former friendship, or his wish for revenge.
Pedro Mico
5.7/10
Juventude e Ternura
5.5/10
The young singer Beth is torn between love for the honest pianist Guy; and the powerful smuggler Estênio, who sponsors his promising career.
Como é Boa Nossa Empregada
5.5/10
"Como É Boa a Nossa Empregada" is an erotic comedy from the 70's (called "pornochanchada" genre) divided in three segments: 1) "Lula e a Copeira": Lula uses frogs, bats and spiders to scare the ugly kitchen maid of his house and force her to quit the job. When his parents put an advertisement on the newspaper to hire a new maid, he waits the candidates outside the house to choose one very hot, telling lies about his family to the others. They hire the sexy Clara, who is subjected to a sexual harassment from Lula's father Rivadávia, the family's friend Dr. Ricardo and Lula, leading the trio to troubled situations. 2) "O Terror das Empregadas": The sixteen years old Bebeto chases all the maids of his house and neighborhood trying to have intercourse with them. His mother takes him to the psychologist Dr. Leonel, who convinces her that her son needs to have a sexual experience with a whore to help his self-esteem, and suggests the sexy and expensive prostitute Leila Sandra.
Oh! Que Delícia de Patrão!
3.9/10
Comedy in two segments. In the first, an important businessman becomes temporarily paralyzed after taking too much of a potent aphrodisiac. To take his place, his employee finds a mechanic who is a look-alike. In the second story, a businessman's woman pretends she is jealous in order to conceal her own unfaithfulness, as she is having an affair with her husband's closest employee.
Também Somos Irmãos
8/10
Renato and Miro are black brothers raised by a white family in an old mansion in Rio de Janeiro. Renato, a graduated lawyer, has always looked for dignity, winning in life due to his honesty and search for social recognition. His brother, on the contrary, is a rebel small time crook who believes his behavior is the product of the treatment he received while being rased by the whites.
Os Devassos
6.4/10
Lollipop
6.4/10
While still a child, Lollipop falls in love with her orphaned cousin Silvio, who has been raised as a member of the family by her father, Dr. Arnaldo, a highly respected government official. Years pass, and to Lollipop's dismay, Silvio becomes engaged to her cousin Leticia. During the engagement party, the enraged Lollipop seduces Silvio, and sometime later, she reveals to Leticia that she is pregnant as a result of the encounter.
Ninguém Segura Essas Mulheres
6.9/10
Crônica À Beira do Rio
Rio de Janeiro is a city of very well defined contrast between the seafront, narrow, where the rich live and very close, the hills with their slums, where life changes very quickly in the short space of time.
