The best Hans Unterkircher’s drama movies

Hans Unterkircher

Hans Unterkircher

22/08/1894- 27/05/1971
We present our ranking of the best Hans Unterkircher’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Hans Unterkircher.

The Last Laugh

The Last Laugh
8/10
  • Genre: Drama
  • Release: 23/12/1924
  • Character: Geschäftsführer [Hotel Manager]
An aging doorman, after being fired from his prestigious job at a luxurious Hotel is forced to face the scorn of his friends, neighbours and society.

Adorable Sinner

Adorable Sinner
5.8/10
  • Genre: DramaRomance
  • Release: 22/12/1959
  • Character: Paskievitch
The Tsar Alexandre II meets a young student, Katia. He understands that he loves her and try to send her away but they end up seeing each other again and becomes his mistress. With the help of Katia, Alexandre prepares a liberal constitution, but these reforms make him hostile to the more privileged subjects without satirising the revolutionaries against the regime.

Song Without End

Song Without End
6/10
The romantic story of Hungarian pianist Franz Liszt, whose scandalous love affair forced him to abandon his adoring audiences.

The Tiger Woman

The Tiger Woman
5.2/10
  • Genre: Drama
  • Release: 18/02/1917
  • Character: (uncredited)
Theda Bara's vamping is at its most evil here. She plays the Russian Princess Petrovitch, who loves only her pearls. Her husband, the Prince (E.F. Roseman), sells state secrets to a spy to pay her exorbitant bills, and her response is to report him to the secret police. Then she runs off to Monte Carlo with her lover, Count Zerstoff (Emil deVarney), but she poisons him after he racks up a load of gambling losses.

The Deciding Kiss

The Deciding Kiss
7/10
  • Genre: Drama
  • Release: 22/07/1918
  • Character: Peter Bolling
The first part is pathetic and shows Eleanor Hamlin (Edith Roberts) severing home ties with her grandparents to be "adopted" by a party of idle rich on the cooperative plan. The parties adopting her are single, and one of them, Beulah Page (Winifred Greenwood), has her own ideas on the subject of raising the young - these ideas absolutely precluding the main requisite, love. A copy exists at the Archives du Film du CNC.

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