The best Chieko Naniwa’s movies
If you love cinema, you will share this ranking of the best Chieko Naniwa’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Chieko Naniwa.
Sansho the Bailiff
8.4/10
In medieval Japan a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression.
Throne of Blood
8/10
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Equinox Flower
7.8/10
Later in his career, Ozu started becoming increasingly sympathetic with the younger generation, a shift that was cemented in Equinox Flower, his gorgeously detailed first color film, about an old-fashioned father and his newfangled daughter.
Twenty-Four Eyes
8/10
Schoolteacher Hisako Oishi struggles to imbue her students with a positive view of the world despite the fact that war is looming.
The Crucified Lovers
8/10
In 17th century Kyoto, Osan is married to Ishun, a wealthy miserly scroll-maker. When Osan is falsely accused of having an affair with the best worker, Mohei, the pair flee the city and declare their love for each other. Ishun orders his men to find them, and separate them to avoid public humiliation.
The End of Summer
7.7/10
The Kohayakawa family is thrown into distress when childlike father Manbei takes up with his old mistress, in one of Ozu’s most deftly modulated blendings of comedy and tragedy.
A Geisha
7.6/10
In the post-war Gion district of Kyoto, the geisha Miyoharu agrees to apprentice the 16 year-old Eiko, whose mother was a former geisha who had just died. After a year of training they have to find a large sum of money before Eiko can debut. Miyoharu borrows the money from the tea-house owner, Okimi, who in turn obtains the money from the businessman Kusuda. Kusuda fancies Eiko himself and wants to give Miyoharu to Kanzaki in order to close a large business deal. However both geishas have minds of their own and, going against tradition, want to be able to say no to clients. Written by Will Gilbert
This Year's Love
7.1/10
Hikaru and Ichiro are close friends in high school. Hikaru's elder brother Tadashi fell in love with Ichiro's elder sister, Mikako at first sight. Although she gave the cold shoulder to Tadashi, she gradually became fond of Tadashi.
Twin Sisters of Kyoto
7.1/10
In this Japanese drama, a dry goods merchant's daughter is surprised to discover that she has a twin sister. In rural Japan it was thought that twins bring bad luck, so the sister was abandoned at birth. Later her parents tell her that her sister was kidnapped. The woman doesn't believe this and when she eventually meets her twin, both women are involved in love affairs. The merchant's daughter is seeing an educated fellow. Trouble ensues when she begins suspecting that he may be more interested in her sister.
Girls of Dark
7.3/10
In the late 1950's prostitution was banned in Japan and if a woman was found exercising this profession they were sent to a reformatory. This is a story of one of these brave women Kuniko who is released from the reformatory and tries to build a new life.
Snow Country
6.9/10
It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?
Miyamoto Musashi: The Duel at Ichijo Temple
7.2/10
In the fourth installment, Musashi's potentially greatest opponent Kojiro jumps in and out of the story at the oddest and most coincidental moments. As his great love Otsu has succumbed to madness. Musashi then sets off to beat the functionaries of a treacherous clan in an arranged duel. 73 against one. Boastful Kojiro watches, secure in the knowledge that only he is a worthy opponent.
Miyamoto Musashi: Showdown at Hannyazaka Heights
7.2/10
The remake of Yoshikawa's novel continues with the second installment in which Takezo, soon to be Miyamoto Musashi, emerges from the Himeji Castle after three years of intense contemplation and philosophical study and starting on his epic quest to complete his skill in the Way.
Miyamoto Musashi
7.1/10
In this first episode, we are introduced to Takezo, what Musashi used to be before he became the man of legend. His beginning are not exactly auspicious. He sides with the Toyotomi at Sekigahara, and as a result finds himself on the losing side of the historic battle. He and his friend Matahachi manage to escape the slaughter although the latter is wounded in his leg. They stumble across the young Akemi who makes her living with her mother Oko by robbing corpses of their armor and anything else they can sell. Oko takes it into her head to seduce Matahachi, which she does first by skillfully sucking the gangrene from his blood, and then just by sucking.
In Search of Mother
7.1/10
Period piece about a young man who, because of his hard life alone in the world, has become a yakuza. When he hears that his mother may be living in Edo (Tokyo), he travels there, intent on finding her and leaving the swordsman's life behind. But a team of rival gangsters is hot on his heels.
Woman of Rumor
7.4/10
Yukiko's fiance learns her mother runs a geisha house and ends their engagement. She despises what her mother does until one of her clients shows interest and starts to woo her.
Shozo, a Cat and Two Women
6.5/10
Shozo is plagued by the needs of his ex-wife and his current one, but prefers the company of his cat.
The Wife of Seishu Hanaoka
7.5/10
The disturbing story of a physician who conducted the first operation with general anaesthetic, and the women in his life who are both so determined to win his love that they volunteer as subjects for his experiments
Miyamoto Musashi V: Musashi vs Kojiro
7/10
The fifth and final installment with the build up of the epic battle between Sasaki Kojiro and Miyamoto Musashi. With all the familiar characters making appearances: Otsu (Musashi's great love), Akemi, Matahachi (his former fellow soldier), old lady Osugi (still doggedly trying to defeat Musashi), and even the return of Priest Takuan (the man responsible for his journey towards enlightenment). But most of all, the boastful, long-haired and long-sworded Sasaki Kojiro.
On Wings of Love
On Wings of Love is a 1957 Japanese romantic musical film directed by Toshio Sugie. It was Toho's highest-grossing film of the year and the first film released in Tohoscope.
